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ֲ Ͳ Ͳ 9 (268) ² ֲ Ͳ Ͳ ԲòͲ 9 (268) ...

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copa oo occ p oo o pcoa poa oo oo Opo, a o a ca aop: oa aa pco po a po, , pa a ocpo Xaoc p ap, oc a o Acx p aoaa a p Opo [5, c. 214]. opa oao oo cp aaoo po, o op pca o cao c, oc p p aa oa oa Opo popa cap, ooc, o: o o Opo, aa, apa, p poc, oa oa [5, c. 38]. ֳao, o oa aa ac opo poa . Apxoa ocoaa (2000 .) : a ooo opopoo pa poo a, aa pa a a, po x a a cao

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, 1989. 286 . 10. o a o ao o. 4- oa / . . . o, O. . o. . 2. . : Ao, 2001. 912 . 11. Andrukhovych Yu. PrVrson (translatd by M. Naydan) / Yu. Andrukhovich. manuscrpt. 12. . ooaa. oa / . . ao-a : ˳-, 2000. 140 .

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Pronina Ya. I. Intertextuality as a Specific Feature of Yuri Andrukhovychs Idiostyle The article analyzes Ukrainian postmodern art discourse and consider in the texts of Ukrainian literature the manifestation of features of ³ 9 (268), . , 2013 intertextuality and its varieties on the examples from the works of Yuri Andrukhovych. Moreover, the particular attention is paid to the identification of the references from the bible and ancient sources, classical works of the prominent writers, and even real people. There is an investigation which observes the dynamics of the inclusion of intertext in the receiving work of art, as the author's technique, and its function in the literary text.

Key words: intertextuality, postmodernism, allusion, mixingof the styles.

   

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, V- , 糿, . ' : Si elle stait prolonge trop longtemps, cette vie Rome met coup sr aigri, corrompu, us [18, . 55]. , , , , . , , , ( Imparfait). La plaine ne se terminait quau ciel. Mon merveillement ne cessait pas en prsence du miracle des fleuves: cette vaste terre vide ntait pour eux quune pente et quun lit [18, . 57]. . : , .



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