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26 2013 .

G. A. Maxymenko

COMMON AND NATIONAL VALUES IN THE MIRROR OF

VLADIMIR MALIKS WORKS

The article describes the spiritual potential of Vladimir Maliks creative works, the principles of writer, among which there are national fundamental and universal principles of human existence being analyzed, at some biographical points which are important for understanding the personality of writer and his artistic work that is emphasized.

Keywords: spiritual potential, human and national values, spiritual, historical novel.

821.11105311.2.09 (045)

   

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In my mind I think I was consciously separating myself and Ian from her. When I thought 'we', it was me and Ian I was thinking about. And I worried about that thought, and when I looked at the pictures they told me not to worry... [8, . 104].

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You love him, she said. Yes, I said. More than your wife? she said. Yes, I said. More than anything [8, . 105]. I often catch him staring at me when my back is turned, like he's reading something private. Then I think, he knows, or he's found out, even though when it comes down to it I've got nothing to hide. I say to him, have I got egg on my face then? something like that, and when he laughs I see that he's still just a boy and that I'm a man, even though a minute before it wasn't clear at all... [8, . 103].

Alexa is still asleep. She lies in her bed like a girl in a fairy tale. In sleep she is very soft. She exudes something, a kind of mist, as though when she sleeps she sets aside her solidity and takes on the transmutable properties of light and liquid and air. Thomas doesn't want to dwell too much on his daughter's beauty. He looks at her but he can give no name to his looking, no motive. He would like an artist to paint her. It would be easier to look at a painting of Alexa than at Alexa herself Her eyes are brown, tawny: in the half-light they seem rich with age, like mahogany. Their beauty is at once his and not his. He does not own them, yet they are within his possession [7, . 5].

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